By Bill Rah
Modula Records label boss and FLY Club Resident Jezz Simpson is one of one Scotland’s unique producers exploring the Minimal House sound.
Jezz grew up in Leith, a popular port district in the capital. “It was quite a dodgy place to grow up in.” he remarked before commenting on the current state of the area. He noted it’s transformed into an up and coming area.
“It’s quite cool Leith because you’ve got all that going on but you’ve still got the ‘old Leith’ as well with Junkies kicking about so it’s pretty fucking mental.” Growing up in a sketchy area didn’t hold him back from doing what he loves.
He first purchased decks when he was only 14 however admits that he only serious invested himself in DJ’ing at 18. He recalled his first ever set which was in a run-down bar in Stirling. “I drove out there fucking shitting myself.” Natural for anyone’s first set. It was his mother’s friend who arranged the gig. “It was sketchy as fuck.” That probably added to the nerves.
He had to bring along his own decks because they didn’t have their own. Quite an inconvenience. When the set kicked off it led to a memorable affair. “I just finished my set and came off and the cunts who were on at the back came in and they were going mental. Next thing, the music got cut off and the promoters got caught in the toilets taking gear so they fucking scrapped.”
After that first set Jezz slowly established himself as a high caliber selector in Edinburgh. He is predominately influenced by Minimal House. “I like to think that’s my signature sound when I’m playing my sets. I’ve kind of got my own wee sound going on in Scotland.”
As a DJ he used groovy minimal selections to soundtrack his sets and has built a reputation in the capital through his unique style. That style is showcased in his production. “I’ve been producing for 7 years. But I’ve been on and off, so I’ve probably been doing it properly since about 2014. It’s only now that I’m starting to be happy with the shit I’m making.”
He commented on how he invested himself into club culture. “I got into DJ’ing for the love of the music, so I decided to stick to my guns and luckily for me Fergus and Tom at FLY Club appreciate what I do. They put me up in the café and it kind of sets the bar for the café.” Jezz appreciates the opportunity he was given to become a resident in the cafe for FLY Club.
He reflected on how he became involved with FLY. Five years ago, Jezz ran a night alongside his close friend Gave Miller. “We ran a night in Hanover street called citizens disco. That’s where our friendship kind of blossomed.” They know of each other before this however this helped strengthen their relationship.
Gav asked Jezz to play Room 2 with him for FLY. Gav normally played Hip-Hop which Jezz wasn’t accustomed to. “We decided to play disco and it was absolutely rammed.” After a couple more sets Tom Ketely offered him a residency at Cabaret Voltaire. “Shoutout to Tom and Fergus for giving me that platform to showcase my sound. If it weren’t for them I would be sitting here doing fuck all.”
Jezz progressed and is now one of the most revered local residents in Edinburgh. “I did the residences in room 2 and gradually got moved upstairs. I was kind of scared that I was going to be tagged as a disco DJ which I really wasn’t, so I started playing my own kind of stuff in the café and it just started going down well.”
He will be playing at FLY Amsterdam Weekender alongside his Leith comrade Gav Miller. When they play together it’s usually an impromptu set. “When we come together to play there’s no doubt in my mind how it’s going to go down. We don’t have to tell each other what we’re going to play. Just fucking play it and it works.”
DJ’ing comes easy to veteran selectors such as Jezz. It’s running a label that presents challenges. Jezz struggles to stay on top of his DM’s and emails being flooded with music. It’s difficult to narrow down selections and choose one for release.
He collaborated with Joe Wheeler to establish Modula Records. They gravitated towards each other as they shared a love of minimal groove. It took them years to establish the right contacts and gain the knowledge to release Vinyl. “It took us two years to get the foundations in place and get a team to work with us It was 2 years ago that we released our first record MR001.”
That first release went better than anticipated. “After we first released Jamie Jones was playing it at Kappa Future Festival and It just went fucking off. Our record sold out instantly. That’s kind of when I realised that although we’ve got no clue what were doing, we’re doing it fucking right.”
When he isn’t spinning tunes behind the decks he works as Head of Maintenance in a care home. Fortunately they didn’t record any cases of COVID-19. For Jezz life in lockdown has been a challenge. Modula records began as Vinyl only however switched to digital in order to survive the current economic climate.
He misses the dance floor especially the community aspect of club culture. “Seeing those faces that you wouldn’t normally see outside the clubs. You know you’ve got those people that you’re really close with but you wouldn’t go on a walk with or any of that shit.” One of the hardest things for him was missing out on an opportunity of play Boiler Room alongside Gav Millar.
Despite the lockdown Jezz has been occupied with his production. “Solo release on distinct and a collab with Gregg Dunsmore which came out on Lacuna recordings, been working on a lot of stuff with him lately, he’s a wicked producer and one of my good mates.”
Jezz is one the real ones. Constantly scouting for talented producers to feature on his label and grafting to ensure his production remains on an upward trajectory. He has managed to build a reputation throughout Scotland by keeping it real.